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What an amazing journey of past and present. What an unusual blend of film styles: fiction, romance, classic documentary, cinema vertité, historical, silent, color, sepia, black & white.
The Yanaka neighborhood film group decides to explore local history by screening home movies at least 30 years old. They also decide to capture the stories of trades and crafts that are disappearing from this traditional neighborhood.
One girl, Kaori, becomes obsessed with the 5 story pagoda in Yanaka Cemetery that burned down 50 years ago. She's sure there is a film out there of the pagoda fire.
Kaori's quest intertwines with the legend of its construction read by an old man, and the directionless youth, Hisaki. Japanese philosophy views time cyclically, so seeing the main characters in both the present and the past isn't surprising, but expected.
This is another film with an interesting creation story, which explains the disparate styles. Atsushi Funahashi, a Japanese ex-pat living in the U.S., returns to Tokyo, and finds the strong ageism startling. He teaches film at a university near Yanaka, and so had a group of students go about making mini documentaries of the various craftsfolk and temple keepers in the area as an exercise.
To Funahashi's amazement, one of the senior monks at a temple near Yanaka Cemetery had captured footage of the fire of the 5 story pagoda, once considered among the most prominent pagodas in the Tokyo. Entranced by the dramatic, destructive beauty of the fire, Funahashi wove together the story of its construction with footage his students had taken and created a fictional narrative to tie everything together.
This film is a big reason why Cinequest is so important. How often does one get the opportunity to view films created in such an unusual, spontaneous way. Also, some of my fellow viewers had little experience with the subject of this movie. However, this sort of fiction infused history is exactly the type of trigger for my Nipponaphilia. I would very much like to explore Yanaka if I am able to visit Japan again.
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